Here are some of Caroline Taylor‘s stage credits and training.

Theatre Work

From “The Medea”, MA, USA (2002). Photo: Cynthia Locklin

• 2012: Coming Home – Jennifer Gittens, National Tour, Trinidad & Tobago
  
• 2011: Girls on the Side [The Melville Boys] – Sandra [Loretta], National Tour, Trinidad & Tobago
• 2011: The Prime Minister’s Speech [Feelgood] (Liz), National Tour, Trinidad & Tobago
• 2011: Why Did I Get Married? (Dr. Patricia Agnew), National Tour, Trinidad & Tobago
• 2010: Really? (Company Writer/Performer), Contains Fat Festival, London, UK
• 2009: Foursome in Toco [Weekend Comedy] (Julie), CLR James Auditorium, Trinidad & Tobago
• 2009: Sex, Lies & Money (Anna Lucky), National Tour, Trinidad & Tobago
• 2008: 3canal’s SHINE (“A Mother Wailing”/Chorus), Queen’s Hall, Trinidad & Tobago
• 2007: Carnival Messiah (Pontius Pilate/Featured Cast), Harewood House, Leeds, UK
• 2006: Pack Light (Solo Performer/Writer) New York International Fringe Festival, NYC, USA
• 2006: The Brand New Lucky Diamond Horseshoe Club (Singing Chorus/Milburge), Queen’s Hall, Trinidad & Tobago
• 2005: Prostitutes (Lisa), Williamstheatre Lab, MA, USA
• 2004: The Olympians: Birth of Athena (Athena), The Ohio Theatre workshop, NYC, USA
• 2004: The Date (Felicia), Looking Glass Forum, NYC, USA
• 2004: Dis, Dat & the Other (Solo Performer/Writer), Williamstheatre, MA, USA
• 2004: The Bacchae (Agave), Williamstheatre, MA, USA
• 2003: The Seagull (Polina), Williamstheatre, MA, USA
• 2002: Fragments of Creole Memory (Solo Performer/Writer), Trinity/La MaMa ETC, NYC, USA
• 2002: The Medea (Medea), Williamstheatre, MA, USA

Vocal: Musicals, Operas & Choral Work

“Don’t Tell Mama” (CABARET). Performed with the Marionettes Chorale, Trinidad (2007). Photo: Butch Limchoy

• The Marionettes Chorale, Port of Spain, Trinidad & Tobago (Mezzo-Soprano):

• Co-Director / Lillas Pastia / Chorus: Bizet’s Carmen (2011)
• Solos: “Don’t Tell Mama” (CABARET); “Some People” (GYPSY); “Adelaide’s Lament” (GUYS & DOLLS); “I Cain’t Say No” (OKLAHOMA)
• Ensemble: “Cell Block Tango” (CHICAGO); “Matchmaker” (FIDDLER ON THE ROOF); “Who Will Buy?” (OLIVER); Contralto in Beethoven’s SYMPHONY NO. 9 (CHORAL)

• The Key Music Academy, Port of Spain, Trinidad & Tobago

• Ensemble & Chorus (Contralto): Purcell’s Dido & Aeneas (2004)

• Backup vocalist for Ella Andall (live & recorded)

Education & Training

• University of London, Goldmiths (MA, Theatre & Performance Making), London, UK
• Lee Strasberg Film & Theatre Institute, New York, NY, USA
• Trinity/La Ma Ma Performing Arts Program, NY, USA
• Williams College (BA, Cum Laude & With Highest Honors), MA, USA
• St. Joseph’s Convent, Port of Spain, Trinidad and Tobago
• Caribbean School of Dancing, Port of Spain, Trinidad & Tobago
• Gillian Balintulo (music & pianoforte)