Performance Work

Here are some of Caroline Taylor‘s stage credits and training.

Theatre Work

From "The Medea", MA, USA (2002). Photo: Cynthia Locklin

  • Girls on the Side [The Melville Boys] – Sandra [Loretta], National Tour, Trinidad & Tobago
  • The Prime Minister’s Speech [Feelgood] (Liz), National Tour, Trinidad & Tobago
  • Why Did I Get Married? (Dr. Patricia Agnew), National Tour, Trinidad & Tobago
  • Really? (Company Writer/Performer), Contains Fat Festival, London, UK
  • Foursome in Toco [Weekend Comedy] (Julie), CLR James Auditorium, Trinidad & Tobago
  • Sex, Lies & Money (Anna Lucky), National Tour, Trinidad & Tobago
  • 3canal’s SHINE (“A Mother Wailing”/Chorus), Queen’s Hall, Trinidad & Tobago
  • Carnival Messiah (Pontius Pilate/Featured Cast), Harewood House, Leeds, UK
  • Pack Light (Solo Performer/Writer) New York International Fringe Festival, NYC, USA
  • The Brand New Lucky Diamond Horseshoe Club (Singing Chorus/Milburge), Queen’s Hall, Trinidad & Tobago
  • Prostitutes (Lisa), Williamstheatre Lab, MA, USA
  • The Olympians: Birth of Athena (Athena), The Ohio Theatre workshop, NYC, USA
  • The Date (Felicia), Looking Glass Forum, NYC, USA
  • Dis, Dat & the Other (Solo Performer/Writer), Williamstheatre, MA, USA
  • The Bacchae (Agave), Williamstheatre, MA, USA
  • The Seagull (Polina), Williamstheatre, MA, USA
  • Fragments of Creole Memory (Solo Performer/Writer), Trinity/La MaMa ETC, NYC, USA
  • The Medea (Medea), Williamstheatre, MA, USA
  • Voir Dire (Teresa), Cap & Bells, MA, USA

Vocal: Musicals, Operas & Choral Work

"Don't Tell Mama" (CABARET). Performed with the Marionettes Chorale, Trinidad (2007). Photo: Butch Limchoy

• The Marionettes Chorale, Port of Spain, Trinidad & Tobago (Mezzo-Soprano):

  • Co-Director / Lillas Pastia / Chorus: Bizet’s Carmen 
  • Solos: “Don’t Tell Mama” (CABARET); “Some People” (GYPSY); “Adelaide’s Lament” (GUYS & DOLLS); “I Cain’t Say No” (OKLAHOMA)
  • Ensemble: “Cell Block Tango” (CHICAGO); “Matchmaker” (FIDDLER ON THE ROOF); “Who Will Buy?” (OLIVER); Contralto in Beethoven’s SYMPHONY NO. 9 (CHORAL)

The Key Music Academy, Port of Spain, Trinidad & Tobago

  • Ensemble & Chorus (Contralto): Purcell’s Dido & Aeneas

Backup vocalist for Ella Andall (live & recorded)

Education & Training

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Connecting to %s