Social Media Success Seminar this Saturday

That title wasn’t meant to be an alliteration, but it happened to work out that way!

This Saturday 20th August, the Kimono Company is presenting a seminar on social media, called Social Media Success: A Seminar.

Myself, Kayode James, Karel McIntosh, Simone Sant-Ghuran, and Douglas Ames will all be presenting on various aspects of social media.

There are just two more days to register, as registrations close on Tuesday 16th August!


Agenda

  • 8:30am: Welcome – Desiree Seebaran, seminar facilitator
  • 8:45am: Defining Social Media – Kayode James, social media lecturer
  • 9:10am:  
  • 10:35am:
    •  Your Identity Online –  Caroline Taylor, Media & Editorial Projects Ltd (MEP) 
    •  Managing Online PR Crises – Douglas Ames, Toucan Interactive Advertising Agency
  • 11:15am: Questions/General Discussion
  • 12pm: Networking Lunch

So if you’d like to learn more about social media applications and strategies, come on down!

Marionettes production of Bizet’s CARMEN opens next week in Trinidad!

The Carmen love quadrangle, opening weekend.
Photo: Mark Lyndersay

Set for a July 9th premiere at Queen’s Hall (and featuring three members of MEP’s staff), the Marionettes’ production of Bizet’s CARMEN is easily one of the most anticipated shows of the year – in a year that has seen more full-length plays and musicals in the first six months than I can remember in Trinidad ever!

With just over a week to go to showtime, some performances of the bpTT-sponsored production are already half sold. Those who have been holding back, waiting for the announcement of which cast will perform when, need wait no longer.

CARMEN opens on Saturday 9th and Sunday 10th with Candice Alcantara as Carmen; Marlon De Bique as Don José; Marvin Smith as Escamillo; Feryal Qudourah as Micaëla; Nigel or Richard Pierre as Zuñiga; Arnold Phillip as Moralès; Jacqueline Smith as Frasquita; Patrice Quammie as Mercédès; Kashif Dennis as Dancaïro; Raguel Gabriel as Remendado; with Caroline Taylor and Dwight Lewis in the spoken roles of Lillas Pastia and the Guide. They take the stage again on Friday 15th July.

The Carmen love quadrangle (second weekend). Photo: Mark Lyndersay

The following weekend (Thursday 14th, Saturday 16th and Sunday 17th July), Lesley Lewis-Alleyne takes centrestage as Carmen; Nigel Floyd is Don José; Arnold Phillip is her Escamillo; Natalia Dopwell is Micaëla; with Garfield Washington as Moralès; Richard Pierre as Zuñiga; Ayrice Wilson and Llettesha Sylvester as Frasquita and Mercédès; Stephan Hernandez and Errol James as Dancaïro and Remendado; Caroline Taylor and Dwight Lewis in the spoken roles of Lillas Pastia and the Guide.

Tickets

Bizet’s CARMEN runs over two weekends, opening Saturday 9th and closing Sunday 17th July at Queen’s Hall. Showtimes are 7:30pm, except Sundays which are 5pm. Tickets are $200 open plan and $250 reserved, and available:

Casts


Thursday 14th, Saturday 16th & Sunday 17th July

Saturday 9th, Sunday 10th & Friday 15th July

 

Carmen Lesley Lewis-Alleyne Candice Alcantara
Don José Nigel Floyd Marlon De Bique
Escamillo Arnold Phillip Marvin Smith
Micaëla Natalia Dopwell Feryal Qudourah
Zuñiga Richard Pierre Nigel Pierre/Richard Pierre
Moralès Garfield Washington Arnold Phillip
Frasquita Ayrice Wilson Jacqueline Smith
Mercédès Llettesha Sylvester Patrice Quammie
Le Dancaïre (Dancaïro) Stephan Hernandez Kashif Dennis
Le Remendado Errol James Raguel Gabriel
Lillas Pastia Caroline Taylor Caroline Taylor
Guide Dwight Lewis Dwight Lewis

The Gypsies of CARMEN (both casts). Photo: Mark Lyndersay

Reason to blog… Williams makes an alumness proud

I’m not great at blogging regularly here (this is the first one, in fact!). Just managed to scrape this site together last month – as MySpace endures multiple efforts at resuscitation – and it’s high time for an opening blog. The existing blog entries are actually transfers from my old sporadic MySpace blog… Whatever blogging capacity I have is usually spent on the MEP Caribbean Publishers blog that’s still far more sporadic than I’d like.

But as usual, I digress! First and foremost: howdy! The inspiration for this first blog is something that made me squeal with glee this week all over Facebook and Twitter (and consequently LinkedIn) as I, rather belatedly, recognised that – in addition to being ranked by US News & World Report as the top liberal arts college in America – my wee little alma mater Williams College had been named by Forbes magazine as the very best college in America, period.

Here’s some of Forbes’ take on things:

The best college in America isn’t in Cambridge or Princeton, West Point or Annapolis. It’s nestled in the Berkshire Mountains. Williams College, a 217-year-old private liberal arts school, tops our third annual ranking of America’s Best Colleges. Our list of more than 600 undergraduate institutions is based on the quality of the education they provide, the experiences of the students and how much they achieve.

Williams rose to the top spot on our rankings, which are compiled with research from the Center for College Affordability & Productivity, after placing fourth last year and fifth in 2008. It’s a small school (just over 2,000 undergrads) with a 7-to-1 student-to-faculty ratio, affording students the chance to really get to know their teachers and have a unique college experience.

While Williams’ tuition is relatively high at $37,640 a year, the school tries very hard to help its students financially. This spring Williams replaced all its loans with grants. And the school has one of the lowest average student debt loads in the country: $9,296.

Some of Williams’ prominent alumni include Steve Case, cofounder of America Online; Edgar Bronfman, CEO of Seagram; Elia Kazan, the Oscar-winning director of films including On The Waterfront and A Streetcar Named Desire; Jay McInerney, author of Bright Lights, Big City; and James A. Garfield, 20th president of the United States….

The Top 20
1. Williams College
2. Princeton University
3. Amherst College
4. United States Military Academy
5. Massachusetts Institute of Technology
6. Stanford University
7. Swarthmore College
8. Harvard University
9. Claremont McKenna College
10. Yale University
11. United States Air Force Academy
12. Wellesley College
13. Columbia University
14. Haverford College
15. Wesleyan University
16. Whitman College
17. Pomona College
18. Northwestern University
19. California Institute of Technology
20. University of Chicago

Let me place this in context. Arriving at school in America, the Trinidadians and other guests from small, distant countries often spent as much time trying to explain where we were from as we did in class or trying to live up College life. And Williams was tough. And cold. It didn’t climb to the top of the liberal arts rankings (however valid they may or may not be) for nothing.

And what added insult to injury – after many of us Trinidadians managed to get over the self-doubt, shake the “affirmative action” monkeys off our backs (despite the fact that all of the ones who matriculated in my year were T&T National Scholarship winners), and generally survive the winters where temperatures could plunge to 20 degrees Farenheit below zero (about -30 degrees Celsius) – was that many of our friends and family members both at home in T&T, or abroad, or even in the US, often looked at us with pity when we said where we’d gone to school. You see, we’d been the high academic achievers in high school. We were supposed to be destined for the “name brands” like Yale, Harvard, Princeton, Cambridge, Oxford. By going to the much lesser known, almost entirely-undergraduate and hopelessly remote Williams College, we were in fact seen by many to be under-achieving.

Take this for example. During my freshman year, my aunt who’d migrated to Florida gave me a ring, and was inquiring about my studies. She couldn’t quite get her head around Williams, which she’d never heard of, so told all my Floridian family that I was the College of William & Mary in Virginia, a “good Catholic college”. Neither my parents (nor I) had heard of Williams before I attended.

So, no matter what the validity of rankings, I rejoice. Because hopefully I won’t have to explain to as many people quite so hard where I went to school, and why it was a kick-ass place to study (for all its flaws, like its myriad diversity issues… but again, I digress). Or at least, the next time someone asks me, “so…Williams College…is it any good? Where is that?”, answering will be a little more fun. It might go something like this: “We went to the #1 College in the US. Yes we did. Not just the top liberal arts college. No no no. The top college in America, PERIOD. As in, ranked higher than Yale, Harvard and Princeton. And yeah, we graduated! lol. Let no-one dare ask the question, “Williams? Um, where’s that?” It’s at the top, bebe!! THE TOP!”

And then I would put the braggy gremlin away, recover my decorum, and return to quietly smiling at the private-cum-public vindication.

By Caroline Taylor Posted in college

The Caribbean: great to visit, but not to live?

Well at least they admit it: “like any list, this one isn’t perfect.”

Newsweek has opened a hornets’ nest of inter-island and inter-country rivalry (at least in the Caribbean) alongside scepticism from social scientists, journalists and marketing professionals with the release of its first – and now quite controversial – The World’s Best Countries list, featuring the “world’s top 100 countries”.

The biggest problem here, and especially with marketing their project as such, is that only 100 countries were selected, so that these are not indeed “the world’s best countries”. And while it’s relatively clear how those selected were ranked, it isn’t entirely clear how countries were selected.

They explain their ranking and scoring criteria as such:

[W]e set out to answer a question that is at once simple and incredibly complex—if you were born today, which country would provide you the very best opportunity to live a healthy, safe, reasonably prosperous, and upwardly mobile life? … NEWSWEEK chose five categories of national well-being—education, health, quality of life, economic competitiveness, and political environment—and compiled metrics within these categories across 100 nations. A weighted formula yielded an overall list of the world’s top 100 countries (for a look at the exact data points we used and how we weighted them, as well as how each country did across the various categories, check out newsweek.com).

The top 10 of the pre-selected countries is not altogether surprising (though this too, of course, is debatable). Scandinavian countries have long been celebrated for their quality of life (the cold nothwithstanding), while Japan, Australia and Canada round out the “best countries”. The United States (#11) and the United Kingdom (#14) ranked just below.

It’s not till the 30th spot that a representative from Latin America & the Caribbean finds its way into the list with Chile. And it’s not until number 47 that we see any Caribbean country at all, with Jamaica opening the way for Cuba (#50) and the Dominican Republic (#55). These appear to be the only Caribbean nations selected for “rankining”, and it is a bit perplexing why well-known economic or tourism hubs like Barbados and Trinidad & Tobago were excluded.

What do you think of Newsweek‘s “Best Countries” list, and of these ranking lists in general?

Let’s get FAT: the Contains Fat Performance Festival

I’m performing along with my fellow Goldsmiths, University of London MA Performance Making degree candidates in the CONTAINS FAT Festival of Final Shows. The press release is below! :)

The MA Performance Making programme at Goldsmiths, University of London is preparing to present CONTAINS FAT: a Festival of Final Shows by students on the course. The degree shows run 23–29 June, and the Festival includes performances in studio, theatre, and site-specific venues in andaround Goldsmiths’ campus.

CONTAINS FAT showcases the diverse work of an international group of 23 emerging artists

from Europe, Asia, the Middle East, Latin America, the Caribbean, and the UK. From live art to performance installation, the pieces celebrate the immediacy and power of the live performance encounter.

During the course of the Festival of 11 shows over 7 days, the public will have the opportunity to take the pulse of contemporary performance in times of limbo and crisis, from a range of international points of view and approaches. These intimate original pieces tackle issues of identity, oppression, religion, and the quest for happiness.

The 23 artists making work for the Festival are dancers, actors, directors and fine artists who have been training and researching collaboratively towards hybrid forms of live performance. Over the past year, they have studied with a wide range of international and UK artists, including course convenor Anna Furse, Graeme Miller, Julia Bardsley, Mischa Twitchin, Patricia Bardi, Maja Mitic, Nick Parkin, Geraldine Pilgrim, Marie-Gabrielle Rotie, Geetha Sridhar, and Mojisola Abedayo.

The MA in Performance Making at Goldsmiths brings together talented emerging and practising artists from a wide range of artistic and geographic backgrounds. This multidisciplinary course is a laboratory and meeting point in London for artists to collaborate, develop their skills and to rethink the ways in which live performance is created.

Graduates of the programme work in a wide variety of professional contexts worldwide as commissioned performance makers, directors, festival directors, teachers, and academic researchers across a range of disciplines, from multi-media installation to physical theatre. The programme has launched a number of international production companies and collaborations that perform both in London and across the globe.

Performances are 6:30pm each evening, with a 2:00pm matinee on Saturday 26th. There are no performances on Sunday 27th. Tickets are £6 / £4 (concessions) per evening. There is limited audience capacity, so advanced booking is essential, and tickets must be collected 30 minutes prior to show time.